Lovely piece, and spot-on about Slint’s lasting reputation and influence. It’s let down only by the rote in-group signaling about “dance music” and rap. The contradictory facets of Albini’s public persona are perplexing: he is capable of both tremendous intelligence and sensitivity, and the crassest adolescent posturing. Chuck Eddy has a great paragraph on ‘Songs About F***ing’, where he says that on ‘Tiny, King of the Jews’ Albini seems to break through into real insight about the bleak corner he has painted himself into. And then he breaks up Big Black and starts a new band called Rapeman. He is now one of the best follows on Twitter: consistently thoughtful and genuinely witty. Who would have thought it?
"Outdoors, minor!"
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"Sometimes my contribution [as a record producer] might have been as
minimal as just saying, 'Shall we stop for a few minutes?... And then of
course, ot...
Russell Mael's uncooked chicken legs
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He should at least have put on some make-up for the studio lights
Russell wore hotpants in the promo video too - it was a unified look for
this pa...
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sleep deserts
confounds
perdition
perseverating
some windy locutions from this piece on the crisis of no-sleepum in America
today
(count me as a v...
The Toppermost of the Poppermost
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How much do I love these *Top of the Pops* opening sequences from the late
Sixties and early Seventies?
Quite often they are the high point of the show ...
Apropos of nothing
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Poptimism - the debate that refuses to go away, yet never goes anywhere.
Deadlocked, yet churning. The recent rechurn stirred up memories of the
fierce arg...
Those Horny "Horns"
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If I was to make an inventory of My Favorite Sounds in Dance Music....
high up would be the horn sounds in UK garage.
"Horns" - because they are nearly...
Oneohtrix Point Never
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*Oneohtrix Point Never*
*Village Voice, July 6, 2010*
*by Simon Reynolds*
Daniel Lopatin, the young man behind the spacey and spacious mindscapes of
O...
questionnaire pour Libération (2020)
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*What is the first record you bought in your youth with your own money ?*
Ian Dury and the Blockheads, *Do It Yourself*, 1979
*Your favorite way for li...
Anti-Retro (Foucault else to do)
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Historians of retro concur that the first time "retro" was used in its
current way was in France in the early '70s, with the phrase *mode rétro* -
the re...
angel delights
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https://rada-ve.bandcamp.com/track/saturn-rings-songs
*Go on* - listen to that gorgeous bubble bath of synthtronica!
Another vintage release, with a vi...
Lovely piece, and spot-on about Slint’s lasting reputation and influence. It’s let down only by the rote in-group signaling about “dance music” and rap. The contradictory facets of Albini’s public persona are perplexing: he is capable of both tremendous intelligence and sensitivity, and the crassest adolescent posturing. Chuck Eddy has a great paragraph on ‘Songs About F***ing’, where he says that on ‘Tiny, King of the Jews’ Albini seems to break through into real insight about the bleak corner he has painted himself into. And then he breaks up Big Black and starts a new band called Rapeman.
ReplyDeleteHe is now one of the best follows on Twitter: consistently thoughtful and genuinely witty. Who would have thought it?
yes he has matured nicely.
ReplyDelete