Lovely piece, and spot-on about Slint’s lasting reputation and influence. It’s let down only by the rote in-group signaling about “dance music” and rap. The contradictory facets of Albini’s public persona are perplexing: he is capable of both tremendous intelligence and sensitivity, and the crassest adolescent posturing. Chuck Eddy has a great paragraph on ‘Songs About F***ing’, where he says that on ‘Tiny, King of the Jews’ Albini seems to break through into real insight about the bleak corner he has painted himself into. And then he breaks up Big Black and starts a new band called Rapeman. He is now one of the best follows on Twitter: consistently thoughtful and genuinely witty. Who would have thought it?
ardkive fever - the eternal returns
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Brand-new anachronism from* Z-Neo*
Fault-less - very-nearly-convincing as time travel
The artwork by one AROE is very in the wildstyle of DJ Trax early ...
Do Anything You Wanna Do
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One of those groups who are let down a little by their front man's
appearance - not that he isn't "charismatic", he certainly commands the
stage.... ...
RIP Ken Downie a.k.a. The Black Dog
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Big shout to *Matthew Ingram* the Mighty Woebot whose tape of the early
Black Dog EPs introduced me to their most magickal musik phase.
Here is Matt's love...
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Q Among lesser known artists from less mainstream cultural traditions,
which ones would be good for our hearts to listen to?
I would hesitate to claim an...
The Future Is Behind Us
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Specifically the future of cinema - *specifically* specifically 3D movies,
as reported in this Atlantic piece .
How funny that it should happen *again *...
the sound of the suburbs
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Really happy to have the opportunity to write about one of my favorite
albums of the 21st Century so far: Suburban Tours by Rangers. For
Pitchfork's Sunday...
angel delights
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https://rada-ve.bandcamp.com/track/saturn-rings-songs
*Go on* - listen to that gorgeous bubble bath of synthtronica!
Another vintage release, with a vi...
Lovely piece, and spot-on about Slint’s lasting reputation and influence. It’s let down only by the rote in-group signaling about “dance music” and rap. The contradictory facets of Albini’s public persona are perplexing: he is capable of both tremendous intelligence and sensitivity, and the crassest adolescent posturing. Chuck Eddy has a great paragraph on ‘Songs About F***ing’, where he says that on ‘Tiny, King of the Jews’ Albini seems to break through into real insight about the bleak corner he has painted himself into. And then he breaks up Big Black and starts a new band called Rapeman.
ReplyDeleteHe is now one of the best follows on Twitter: consistently thoughtful and genuinely witty. Who would have thought it?
yes he has matured nicely.
ReplyDelete