Lovely piece, and spot-on about Slint’s lasting reputation and influence. It’s let down only by the rote in-group signaling about “dance music” and rap. The contradictory facets of Albini’s public persona are perplexing: he is capable of both tremendous intelligence and sensitivity, and the crassest adolescent posturing. Chuck Eddy has a great paragraph on ‘Songs About F***ing’, where he says that on ‘Tiny, King of the Jews’ Albini seems to break through into real insight about the bleak corner he has painted himself into. And then he breaks up Big Black and starts a new band called Rapeman. He is now one of the best follows on Twitter: consistently thoughtful and genuinely witty. Who would have thought it?
-
"[Baudrillard's] vision of contemporary society exhibits a careening of
growth and excrescence (croissance et excroissance), expanding and
excreting eve...
“archives of resistance”
-
In June I went to Bristol to do a *Still In A Dream* event at Strange
Brew. Wandering around, we saw all these posters for jungle raves and drum
and ba...
The Old Musical Express
-
*New Musical Express *on the 1983 reissue of *Charlie Gillett*'s 1971 book *The
Sound of the City. *
Reviewer *Paul Du Noyer* notes that "*in...
Applause without ears
-
Came across this review of *Shock and Awe* online and was reading it,
nodding along and thinking '*this is rather perceptive'* and then realised
it was ...
A Telex from yesterday's future
-
An example of what I call "the rhetorics of temporality" - the way critics
compulsively position and reposition things they like, or are...
faves of the 2010s
-
(Tracks not full lengths)
Ke$ha – “We R Who We R”
Ke$ha - “Backstabber”
Ariel Pink's Haunted Graffiti, "Round and Round"
Rangers – “Golden Triangles”...
angel delights
-
https://rada-ve.bandcamp.com/track/saturn-rings-songs
*Go on* - listen to that gorgeous bubble bath of synthtronica!
Another vintage release, with a vi...
Lovely piece, and spot-on about Slint’s lasting reputation and influence. It’s let down only by the rote in-group signaling about “dance music” and rap. The contradictory facets of Albini’s public persona are perplexing: he is capable of both tremendous intelligence and sensitivity, and the crassest adolescent posturing. Chuck Eddy has a great paragraph on ‘Songs About F***ing’, where he says that on ‘Tiny, King of the Jews’ Albini seems to break through into real insight about the bleak corner he has painted himself into. And then he breaks up Big Black and starts a new band called Rapeman.
ReplyDeleteHe is now one of the best follows on Twitter: consistently thoughtful and genuinely witty. Who would have thought it?
yes he has matured nicely.
ReplyDelete