Lovely piece, and spot-on about Slint’s lasting reputation and influence. It’s let down only by the rote in-group signaling about “dance music” and rap. The contradictory facets of Albini’s public persona are perplexing: he is capable of both tremendous intelligence and sensitivity, and the crassest adolescent posturing. Chuck Eddy has a great paragraph on ‘Songs About F***ing’, where he says that on ‘Tiny, King of the Jews’ Albini seems to break through into real insight about the bleak corner he has painted himself into. And then he breaks up Big Black and starts a new band called Rapeman. He is now one of the best follows on Twitter: consistently thoughtful and genuinely witty. Who would have thought it?
Robert Wyatt
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*A tribute to Robert Wyatt, written and recorded for remote participation
in a 2025 birthday celebration for the Great Man, organized by Sukhdev
Sandhu ...
A Wombat’s Anus
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So I was feeling like it was time to read a *Margaret Atwood* and I
fancied *Oryx and Crake,* having been intrigued by a chapter on it in *Mark
Fisher*’...
Of Instagrammatology
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Had Instagram for ages and ages but never got into looking at it regularly
until quite recently.... the algorithm quickly learned to serve me up
dance m...
Musicophilia
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"What trifles constitute happiness! The sound of a bagpipe. Without music
life would be a mistake. The German imagines even God as a songster."
"I would ...
faves of the 2010s
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(Tracks not full lengths)
Ke$ha – “We R Who We R”
Ke$ha - “Backstabber”
Ariel Pink's Haunted Graffiti, "Round and Round"
Rangers – “Golden Triangles”...
Visual Music - a lecture, by me
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*Visual Music - a talk at the Tate Modern, July 27 2018*
*Presented by 4:3 as part of the Uniqlo Tate Late series*
There is a subset of experimental ani...
angel delights
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https://rada-ve.bandcamp.com/track/saturn-rings-songs
*Go on* - listen to that gorgeous bubble bath of synthtronica!
Another vintage release, with a vi...
Lovely piece, and spot-on about Slint’s lasting reputation and influence. It’s let down only by the rote in-group signaling about “dance music” and rap. The contradictory facets of Albini’s public persona are perplexing: he is capable of both tremendous intelligence and sensitivity, and the crassest adolescent posturing. Chuck Eddy has a great paragraph on ‘Songs About F***ing’, where he says that on ‘Tiny, King of the Jews’ Albini seems to break through into real insight about the bleak corner he has painted himself into. And then he breaks up Big Black and starts a new band called Rapeman.
ReplyDeleteHe is now one of the best follows on Twitter: consistently thoughtful and genuinely witty. Who would have thought it?
yes he has matured nicely.
ReplyDelete