Lovely piece, and spot-on about Slint’s lasting reputation and influence. It’s let down only by the rote in-group signaling about “dance music” and rap. The contradictory facets of Albini’s public persona are perplexing: he is capable of both tremendous intelligence and sensitivity, and the crassest adolescent posturing. Chuck Eddy has a great paragraph on ‘Songs About F***ing’, where he says that on ‘Tiny, King of the Jews’ Albini seems to break through into real insight about the bleak corner he has painted himself into. And then he breaks up Big Black and starts a new band called Rapeman. He is now one of the best follows on Twitter: consistently thoughtful and genuinely witty. Who would have thought it?
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... there is this corruption of sensibility that sets in after the first
few decades as a music nut, where you get more of a buzz from contemplating
shit...
Up Middle Finger
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This pair had a Top 10 hit with a song that is basically about an
intra-scene war - the nu garage rappists (Oxide + Neutrino, So Solid)
versus the old...
None more Old Wavier
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Fascinated by this particular performance of a song that was among the
select group of pre-punk songs to cut through to me, a child then not
paying th...
Still In A Dream - my new book, out in June
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Excited to announce the publication this summer of Still In A Dream:
Shoegaze, Slackers and the Reinvention of Rock, 1984-94. On White Rabbit
Books. It'...
RIP Kenny Morris
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One intriguing counterfactual in rock history is what would have happened
if drummer *Kenny Morris* and guitarist John McKay had not quit *Siouxsie
and t...
angel delights
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https://rada-ve.bandcamp.com/track/saturn-rings-songs
*Go on* - listen to that gorgeous bubble bath of synthtronica!
Another vintage release, with a vi...
Lovely piece, and spot-on about Slint’s lasting reputation and influence. It’s let down only by the rote in-group signaling about “dance music” and rap. The contradictory facets of Albini’s public persona are perplexing: he is capable of both tremendous intelligence and sensitivity, and the crassest adolescent posturing. Chuck Eddy has a great paragraph on ‘Songs About F***ing’, where he says that on ‘Tiny, King of the Jews’ Albini seems to break through into real insight about the bleak corner he has painted himself into. And then he breaks up Big Black and starts a new band called Rapeman.
ReplyDeleteHe is now one of the best follows on Twitter: consistently thoughtful and genuinely witty. Who would have thought it?
yes he has matured nicely.
ReplyDelete