Lovely piece, and spot-on about Slint’s lasting reputation and influence. It’s let down only by the rote in-group signaling about “dance music” and rap. The contradictory facets of Albini’s public persona are perplexing: he is capable of both tremendous intelligence and sensitivity, and the crassest adolescent posturing. Chuck Eddy has a great paragraph on ‘Songs About F***ing’, where he says that on ‘Tiny, King of the Jews’ Albini seems to break through into real insight about the bleak corner he has painted himself into. And then he breaks up Big Black and starts a new band called Rapeman. He is now one of the best follows on Twitter: consistently thoughtful and genuinely witty. Who would have thought it?
New Wave / Old Wave juxtaposition (2 of ??)
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Resuming an early, barely-started series
from 1976 the year of punk
Pauline Murray's dancing here in this Electric Circus clip, is a kind ...
Radio Utopia
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People remember the Sixties pirate radio heyday, when the pirates were
literally boats at sea.... and they remember the Eighties terrestial
tower-block r...
Meet the Declinists!
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Kieran and I both appear in this interesting piece by Spencer Kornhaber at
The Atlantic, which inspects the discourse of decline in culture - mostly
focuse...
Brutalist / Botanist
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This whole Brutalism thing has gotten a bit of out of hand now.... they are
scraping the barrel bottom, I think.
Mind, you, these photographs are co...
fave raves
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I'm not sure what the logic was exactly but as tie-in to Shock and Awe, *iD*
asked me to list my seven favorite / life-changing clubs /
nights-out-danci...
RIP David Lynch
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"Six Men Getting Sick" was Lynch's first exploration into film, made during
his second year of study at the Pennsylvania Academy of Fine Arts, in
Phi...
angel delights
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https://rada-ve.bandcamp.com/track/saturn-rings-songs
*Go on* - listen to that gorgeous bubble bath of synthtronica!
Another vintage release, with a vi...
Lovely piece, and spot-on about Slint’s lasting reputation and influence. It’s let down only by the rote in-group signaling about “dance music” and rap. The contradictory facets of Albini’s public persona are perplexing: he is capable of both tremendous intelligence and sensitivity, and the crassest adolescent posturing. Chuck Eddy has a great paragraph on ‘Songs About F***ing’, where he says that on ‘Tiny, King of the Jews’ Albini seems to break through into real insight about the bleak corner he has painted himself into. And then he breaks up Big Black and starts a new band called Rapeman.
ReplyDeleteHe is now one of the best follows on Twitter: consistently thoughtful and genuinely witty. Who would have thought it?
yes he has matured nicely.
ReplyDelete