Lovely piece, and spot-on about Slint’s lasting reputation and influence. It’s let down only by the rote in-group signaling about “dance music” and rap. The contradictory facets of Albini’s public persona are perplexing: he is capable of both tremendous intelligence and sensitivity, and the crassest adolescent posturing. Chuck Eddy has a great paragraph on ‘Songs About F***ing’, where he says that on ‘Tiny, King of the Jews’ Albini seems to break through into real insight about the bleak corner he has painted himself into. And then he breaks up Big Black and starts a new band called Rapeman. He is now one of the best follows on Twitter: consistently thoughtful and genuinely witty. Who would have thought it?
10 Jungle Classics - Mojo - April 1995
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Note how the copyeditor assumed that the 2 in "2 Bad Mice" was me having
started and abandoned a numbering system but having forgot...
reading matters / music that stutters
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Chal Ravens has written a lovely in-depth review of Still In A Dream at
London Review of BooksThere's even an LRB playlist so you can listen as you
readKie...
Tellus a story
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Death Is Not The End takes avant-garde LPs originally released by a New
York artist-owned label and reissues them as cassettes.... *Earth
Libraries* tak...
RIP Tim Curry
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A glam icon obviously for his *Frank N Furter* in *The Rocky Horror Picture
Show*, a movie much darker and more interesting than I had first imagined
and...
A Telex from yesterday's future
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An example of what I call "the rhetorics of temporality" - the way critics
compulsively position and reposition things they like, or are...
faves of the 2010s
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(Tracks not full lengths)
Ke$ha – “We R Who We R”
Ke$ha - “Backstabber”
Ariel Pink's Haunted Graffiti, "Round and Round"
Rangers – “Golden Triangles”...
angel delights
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https://rada-ve.bandcamp.com/track/saturn-rings-songs
*Go on* - listen to that gorgeous bubble bath of synthtronica!
Another vintage release, with a vi...
Lovely piece, and spot-on about Slint’s lasting reputation and influence. It’s let down only by the rote in-group signaling about “dance music” and rap. The contradictory facets of Albini’s public persona are perplexing: he is capable of both tremendous intelligence and sensitivity, and the crassest adolescent posturing. Chuck Eddy has a great paragraph on ‘Songs About F***ing’, where he says that on ‘Tiny, King of the Jews’ Albini seems to break through into real insight about the bleak corner he has painted himself into. And then he breaks up Big Black and starts a new band called Rapeman.
ReplyDeleteHe is now one of the best follows on Twitter: consistently thoughtful and genuinely witty. Who would have thought it?
yes he has matured nicely.
ReplyDelete