Lovely piece, and spot-on about Slint’s lasting reputation and influence. It’s let down only by the rote in-group signaling about “dance music” and rap. The contradictory facets of Albini’s public persona are perplexing: he is capable of both tremendous intelligence and sensitivity, and the crassest adolescent posturing. Chuck Eddy has a great paragraph on ‘Songs About F***ing’, where he says that on ‘Tiny, King of the Jews’ Albini seems to break through into real insight about the bleak corner he has painted himself into. And then he breaks up Big Black and starts a new band called Rapeman. He is now one of the best follows on Twitter: consistently thoughtful and genuinely witty. Who would have thought it?
Take Care
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*The Caretaker*
*Everywhere at the End of Time*
*2019*
*History Always Favours The Winners*
*(part of Resident Advisor's 2000-2025 Best Albums) *
Mem...
Bäck to the Future (det här var imorgon)
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Released 1978, recorded at the start of the 1970s. Give it a listen, it's
immense
What blows my mind is that by the time this ca...
Inscape and the hard gem-like flame
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Long streamers were rising from over Kemble End one large flake
loop-shaped, not a streamer but belonging to the string, moving too slowly
to be seen, se...
opportunists knock
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Yes that is *Tears For Fears *in their early mod revival incarnation:
*Graduate*
Looking a bit like Mick Talbot's first band, the one with that song t...
When Freaks Were Chic - Danceteria remembered
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Fun and fascinating - with fabulous fotos - *Danceteria *oral history by*
Joy Press*, aka the missus, who was a regular at the legendary New York
club i...
Goth goes Glam
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What tarts!
*Gene Loves Jezebel *must have seen *Love and Rockets *enjoying Stateside
sucksess with the T. Rexy "So Alive" and they thought "*we'll ave ...
faves of the 2010s
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(Tracks not full lengths)
Ke$ha – “We R Who We R”
Ke$ha - “Backstabber”
Ariel Pink's Haunted Graffiti, "Round and Round"
Rangers – “Golden Triangles”...
Visual Music - a lecture, by me
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*Visual Music - a talk at the Tate Modern, July 27 2018*
*Presented by 4:3 as part of the Uniqlo Tate Late series*
There is a subset of experimental ani...
angel delights
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https://rada-ve.bandcamp.com/track/saturn-rings-songs
*Go on* - listen to that gorgeous bubble bath of synthtronica!
Another vintage release, with a vi...
Lovely piece, and spot-on about Slint’s lasting reputation and influence. It’s let down only by the rote in-group signaling about “dance music” and rap. The contradictory facets of Albini’s public persona are perplexing: he is capable of both tremendous intelligence and sensitivity, and the crassest adolescent posturing. Chuck Eddy has a great paragraph on ‘Songs About F***ing’, where he says that on ‘Tiny, King of the Jews’ Albini seems to break through into real insight about the bleak corner he has painted himself into. And then he breaks up Big Black and starts a new band called Rapeman.
ReplyDeleteHe is now one of the best follows on Twitter: consistently thoughtful and genuinely witty. Who would have thought it?
yes he has matured nicely.
ReplyDelete