Lovely piece, and spot-on about Slint’s lasting reputation and influence. It’s let down only by the rote in-group signaling about “dance music” and rap. The contradictory facets of Albini’s public persona are perplexing: he is capable of both tremendous intelligence and sensitivity, and the crassest adolescent posturing. Chuck Eddy has a great paragraph on ‘Songs About F***ing’, where he says that on ‘Tiny, King of the Jews’ Albini seems to break through into real insight about the bleak corner he has painted himself into. And then he breaks up Big Black and starts a new band called Rapeman. He is now one of the best follows on Twitter: consistently thoughtful and genuinely witty. Who would have thought it?
None New Wavier (17 of ???)
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Proficiency of the musicians - and the prowess / power of the singing -
suggests an Old Wave into New Wave makeover.
And indeed...
"Well you know my name is Simon"
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Stephen Alexander, at his always interesting and insanely prolific
blog Torpedo the Ark, brightens my day, at this ever more darkening time,
with a post ab...
RIP Kenny Morris
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One intriguing counterfactual in rock history is what would have happened
if drummer *Kenny Morris* and guitarist John McKay had not quit *Siouxsie
and t...
ardkive fever - the eternal returns
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Brand-new anachronism from* Z-Neo*
Fault-less - very-nearly-convincing as time travel
The artwork by one AROE is very in the wildstyle of DJ Trax early ...
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Q Among lesser known artists from less mainstream cultural traditions,
which ones would be good for our hearts to listen to?
I would hesitate to claim an...
The Future Is Behind Us
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Specifically the future of cinema - *specifically* specifically 3D movies,
as reported in this Atlantic piece .
How funny that it should happen *again *...
angel delights
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https://rada-ve.bandcamp.com/track/saturn-rings-songs
*Go on* - listen to that gorgeous bubble bath of synthtronica!
Another vintage release, with a vi...
Lovely piece, and spot-on about Slint’s lasting reputation and influence. It’s let down only by the rote in-group signaling about “dance music” and rap. The contradictory facets of Albini’s public persona are perplexing: he is capable of both tremendous intelligence and sensitivity, and the crassest adolescent posturing. Chuck Eddy has a great paragraph on ‘Songs About F***ing’, where he says that on ‘Tiny, King of the Jews’ Albini seems to break through into real insight about the bleak corner he has painted himself into. And then he breaks up Big Black and starts a new band called Rapeman.
ReplyDeleteHe is now one of the best follows on Twitter: consistently thoughtful and genuinely witty. Who would have thought it?
yes he has matured nicely.
ReplyDelete