Lovely piece, and spot-on about Slint’s lasting reputation and influence. It’s let down only by the rote in-group signaling about “dance music” and rap. The contradictory facets of Albini’s public persona are perplexing: he is capable of both tremendous intelligence and sensitivity, and the crassest adolescent posturing. Chuck Eddy has a great paragraph on ‘Songs About F***ing’, where he says that on ‘Tiny, King of the Jews’ Albini seems to break through into real insight about the bleak corner he has painted himself into. And then he breaks up Big Black and starts a new band called Rapeman. He is now one of the best follows on Twitter: consistently thoughtful and genuinely witty. Who would have thought it?
who's a pretty boy then
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One moderately intriguing counterfactual in rock history is what would have
happened if *John McKay* and Kenny Morris had not quit the ...
Footberk
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*Jan Błaszczak* tells me about a Polish musician who has come up with a mad
twist on footwork: *Piotr Gwadera*, recording as* Gary Gwadera, *combines
the...
Booker Contra The Future
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Christopher Booker's *The Neophiliacs: A Study of the Revolution in English
life in the Fifties and Sixties * was published in 1969....
RIP Geoff Nicholson
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Well, if the last few weeks in LA have not been traumatizing enough - and
then we've had the hideousness of the inauguration and unfolding horror of
the...
The Final Countdown
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Bandying the word "apocalypse" feels a little off after the local events of
last week, but here is Kieran-Press Reynolds on The TikTokalypse - a
Pitchfork ...
RIP David Lynch
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"Six Men Getting Sick" was Lynch's first exploration into film, made during
his second year of study at the Pennsylvania Academy of Fine Arts, in
Phi...
50 Favorite Songs
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(for an Italian publication, 2009)
The Eyes -- "When the Night Falls"
The Beatles -- "Strawberry Fields Forever"
John's Children -- "A Midsummer ...
angel delights
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https://rada-ve.bandcamp.com/track/saturn-rings-songs
*Go on* - listen to that gorgeous bubble bath of synthtronica!
Another vintage release, with a vi...
Lovely piece, and spot-on about Slint’s lasting reputation and influence. It’s let down only by the rote in-group signaling about “dance music” and rap. The contradictory facets of Albini’s public persona are perplexing: he is capable of both tremendous intelligence and sensitivity, and the crassest adolescent posturing. Chuck Eddy has a great paragraph on ‘Songs About F***ing’, where he says that on ‘Tiny, King of the Jews’ Albini seems to break through into real insight about the bleak corner he has painted himself into. And then he breaks up Big Black and starts a new band called Rapeman.
ReplyDeleteHe is now one of the best follows on Twitter: consistently thoughtful and genuinely witty. Who would have thought it?
yes he has matured nicely.
ReplyDelete