Lovely piece, and spot-on about Slint’s lasting reputation and influence. It’s let down only by the rote in-group signaling about “dance music” and rap. The contradictory facets of Albini’s public persona are perplexing: he is capable of both tremendous intelligence and sensitivity, and the crassest adolescent posturing. Chuck Eddy has a great paragraph on ‘Songs About F***ing’, where he says that on ‘Tiny, King of the Jews’ Albini seems to break through into real insight about the bleak corner he has painted himself into. And then he breaks up Big Black and starts a new band called Rapeman. He is now one of the best follows on Twitter: consistently thoughtful and genuinely witty. Who would have thought it?
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Nowadays, the whale-fishery furnishes an asylum for many romantic,
melancholy, and absent-minded young men, disgusted with the carking cares
of earth, a...
Sad Songs
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Quite some time ago, Glen Goetze asked me about sad songs, for which
publication I cannot remember,
*1. What are your earliest memories of music?*
The ...
Future Rock
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A rock book I have never ever heard of before, by a writer I never heard of
before - until this moment.
Published 1976.
After this book, *David Dow...
anti-theatricality in politics (slight return)
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Things have been too grim for me to do these posts, but then this one came
along (the theater kids being the (mal-)administration, if that isn't
obvi...
Up Middle Finger
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This pair had a Top 10 hit with a song that is basically about an
intra-scene war - the nu garage rappists (Oxide + Neutrino, So Solid)
versus the old...
Still In A Dream - my new book, out in June
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Excited to announce the publication this summer of Still In A Dream:
Shoegaze, Slackers and the Reinvention of Rock, 1984-94. On White Rabbit
Books. It'...
angel delights
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https://rada-ve.bandcamp.com/track/saturn-rings-songs
*Go on* - listen to that gorgeous bubble bath of synthtronica!
Another vintage release, with a vi...
Lovely piece, and spot-on about Slint’s lasting reputation and influence. It’s let down only by the rote in-group signaling about “dance music” and rap. The contradictory facets of Albini’s public persona are perplexing: he is capable of both tremendous intelligence and sensitivity, and the crassest adolescent posturing. Chuck Eddy has a great paragraph on ‘Songs About F***ing’, where he says that on ‘Tiny, King of the Jews’ Albini seems to break through into real insight about the bleak corner he has painted himself into. And then he breaks up Big Black and starts a new band called Rapeman.
ReplyDeleteHe is now one of the best follows on Twitter: consistently thoughtful and genuinely witty. Who would have thought it?
yes he has matured nicely.
ReplyDelete