Lovely piece, and spot-on about Slint’s lasting reputation and influence. It’s let down only by the rote in-group signaling about “dance music” and rap. The contradictory facets of Albini’s public persona are perplexing: he is capable of both tremendous intelligence and sensitivity, and the crassest adolescent posturing. Chuck Eddy has a great paragraph on ‘Songs About F***ing’, where he says that on ‘Tiny, King of the Jews’ Albini seems to break through into real insight about the bleak corner he has painted himself into. And then he breaks up Big Black and starts a new band called Rapeman. He is now one of the best follows on Twitter: consistently thoughtful and genuinely witty. Who would have thought it?
Futuromania - the paperback
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The paperback edition of Futuromania has just come out
Older eyes will recognise the graphic design's nod to this best-seller of
the 1970s
...
Books of Note
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Far be it from me to encourage you to buy any music book this year that
isn't called Still In A Dream.... But I concede that there are some other
interesti...
anti-theatricality and politics (theatre of war)
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*Donald Trump’s Pantomime United Nations*
The Board of Peace might be destined to fail, but it still threatens to
undermine an international system in wh...
Hertfordshire massive, part 17
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Everyone knows about Moving Shadow coming from Stevenage
But I hadn't realized that *Ruff Kut! Record*s was from there
As in *The Good 2Bad &...
Sad Songs
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Quite some time ago, Glen Goetze asked me about sad songs, for which
publication I cannot remember,
*1. What are your earliest memories of music?*
The ...
angel delights
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https://rada-ve.bandcamp.com/track/saturn-rings-songs
*Go on* - listen to that gorgeous bubble bath of synthtronica!
Another vintage release, with a vi...
Lovely piece, and spot-on about Slint’s lasting reputation and influence. It’s let down only by the rote in-group signaling about “dance music” and rap. The contradictory facets of Albini’s public persona are perplexing: he is capable of both tremendous intelligence and sensitivity, and the crassest adolescent posturing. Chuck Eddy has a great paragraph on ‘Songs About F***ing’, where he says that on ‘Tiny, King of the Jews’ Albini seems to break through into real insight about the bleak corner he has painted himself into. And then he breaks up Big Black and starts a new band called Rapeman.
ReplyDeleteHe is now one of the best follows on Twitter: consistently thoughtful and genuinely witty. Who would have thought it?
yes he has matured nicely.
ReplyDelete