Showing posts with label MELODY MAKER 1990. Show all posts
Showing posts with label MELODY MAKER 1990. Show all posts

Friday, July 14, 2023

Jon Wilde - Joy Division / New Order - Melody Maker - September 15 1990

A sacred cow shunted into the abattoir of critical revisionism!  Joy Division get unexpectedly savaged by Jon Wilde (here dropping the earlier "h" from his name - i.e. Jonh Wilde). Yet he esteems New Order greatly (well, from "Blue Monday" onwards)  even though the singer is even less of a conventionally equipped singer than the previous occupant of the job. 




















I disagree with it completely (even to the point of thinking New Order get steadily less compelling from "Blue Monday" onwards) But as with the Steve Sutherland "Scott Walker solo is shite, should have stayed in the Walker Brothers"  review, it is refreshing to read such a counter-consensual take(-down)

"The ranks of the unattended legends" - nice phrase, and I guess Joydiv probably were  at their  lowest ebb reputationally in 1990, in terms of being an influence or something cited by other bands. And few things could have been less related to the baggy positivity emanating from the very same city at the time of writing. 

Loop had done a Joydiv-ish single earlier that year ("Arc-Lite", and quite soon Disco Inferno in their early glacial monochrome phase (pre-postrock) would swim into view. There had also been a cool American band with some of that postpunk scouring dourness - Nice Strong Arm.  

But no, in 1990, hardly anyone was referencing or drawing from Joy Division.  

That would change -  but it took another decade-plus...  and a couple of films certainly helped.

Nowadays the cover design of Unknown Pleasures is everywhere, a T-shirt you can buy in malls, in the same league iconically as the Stones tongue-and-lips logo. Their canonic eminence seems permament. 


Tuesday, July 11, 2023

Andrew Ridgeley special

 












September 15 1990 and David Stubbs here imagines an earlier documentary tribute to the Wham!ster .

This satire inspired by the South Bank Show that was actually shown that month on George Michael (clearly coordinated as another prong of his campaign to be taken as a Serious Artist - a Bragg-voiceover-worthy subject like the Smiths and Talking Heads - alongside the singles "Praying for Time" and "Freedom '90", and the album title Listen Without Prejudice, Vol. 1 --- "please please please take me as more than a hunk in bronzer and tight jeans")






















Can't also help thinking that Stubbs must have had in the back of his mind the Stud Bros profile of Ridgeley from some weeks earlier - on the occasion of Randy Andy's debut solo album - in the course of which they exalted him as some kind of hero of getting-away-with-it, the ultimate pop star, excelling at the playboy part of the job without getting his fingers grubby and calloused through the workmanlike side of actually producing work. Perhaps a sort of Bez avant la lettre.

Which immediately provoked this harsh corrective from Chris Roberts 







Tuesday, August 2, 2022