I always love seeing these pieces. That sense of possibility: "There's this new band called The Clash. They could be big!"
The Sounds writers did pretty well, on the old wave as well as the new. Sources suggesting Fleetwood Mac's new album could be a good one...
Interesting to see "new wave" being deployed already by January 1977: I had always thought of it as the marketing term used a year or two later to tidy up the Punk revolution.
And that is future novelist Tim Lott making the case for Cado Belle, isn't it? Not a terrible pick: although they never made it big, Maggie Reilly sounds great on those Mike Oldfield hits.
New Wave was a term used quite early I think. Malcolm McLaren preferred it to punk, possibly because he was a Francophile and a cineaste, so it reminded him of the Nouvelle Vague. Seymour Stein was another one pushing for 'New Wave'.
Is this the first example of the sanitised, orthodox and asinine take on The Clash, that American-dominated opinion which holds The Clash to be a superior rock band which achieved their full potential when they ditched all that punk claptrap (see also: the championing of Elvis Costello as punk's saving grace)? I find that the American heralding of the virtues of musical slickness and professionalism flosses my helmet red-raw.
Archive Fever
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Looking up an old tutor of mine who had impressed me, to see if his spoor
of publications was distinguished in the field, I came across a lengthy
t...
Not Feeliesing It Really
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*The Feelies / Died Pretty*
*ULU, London*
*Melody Maker, November 29 1986*
*The Feelies*
*The Good Earth*
*Melody Maker, Sept...
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I like the way he reprimands himself for not having bought his pale blue
pegs from the right shop - “should have been from Lord John or Take Six”.
The mo...
nuumiest of the nuum nuum
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Well I did not know this existed until recently (via Pearsall at Dissensus
)
An almost remake of this just-pre-nuum classic
vamp in sunlight
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Rare sighting of a Goth at the beach - shield your eyes from the pasty
white glare!
Still, sensibly, Sioux seems to be applying sunscr...
WHEN MATTS MAKE BOOKS
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This is quite a long-running series, now! Not talking about the When Mates
Make Books posts, of which there are countless, but specifically When Matts
Make...
fave raves
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I'm not sure what the logic was exactly but as tie-in to Shock and Awe, *iD*
asked me to list my seven favorite / life-changing clubs /
nights-out-danci...
Booker Contra The Future
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Christopher Booker's *The Neophiliacs: A Study of the Revolution in English
life in the Fifties and Sixties * was published in 1969....
RIP David Lynch
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"Six Men Getting Sick" was Lynch's first exploration into film, made during
his second year of study at the Pennsylvania Academy of Fine Arts, in
Phi...
angel delights
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https://rada-ve.bandcamp.com/track/saturn-rings-songs
*Go on* - listen to that gorgeous bubble bath of synthtronica!
Another vintage release, with a vi...
I always love seeing these pieces. That sense of possibility: "There's this new band called The Clash. They could be big!"
ReplyDeleteThe Sounds writers did pretty well, on the old wave as well as the new. Sources suggesting Fleetwood Mac's new album could be a good one...
Interesting to see "new wave" being deployed already by January 1977: I had always thought of it as the marketing term used a year or two later to tidy up the Punk revolution.
And that is future novelist Tim Lott making the case for Cado Belle, isn't it? Not a terrible pick: although they never made it big, Maggie Reilly sounds great on those Mike Oldfield hits.
New Wave was a term used quite early I think. Malcolm McLaren preferred it to punk, possibly because he was a Francophile and a cineaste, so it reminded him of the Nouvelle Vague. Seymour Stein was another one pushing for 'New Wave'.
DeleteIs this the first example of the sanitised, orthodox and asinine take on The Clash, that American-dominated opinion which holds The Clash to be a superior rock band which achieved their full potential when they ditched all that punk claptrap (see also: the championing of Elvis Costello as punk's saving grace)? I find that the American heralding of the virtues of musical slickness and professionalism flosses my helmet red-raw.
ReplyDelete