I always love seeing these pieces. That sense of possibility: "There's this new band called The Clash. They could be big!"
The Sounds writers did pretty well, on the old wave as well as the new. Sources suggesting Fleetwood Mac's new album could be a good one...
Interesting to see "new wave" being deployed already by January 1977: I had always thought of it as the marketing term used a year or two later to tidy up the Punk revolution.
And that is future novelist Tim Lott making the case for Cado Belle, isn't it? Not a terrible pick: although they never made it big, Maggie Reilly sounds great on those Mike Oldfield hits.
New Wave was a term used quite early I think. Malcolm McLaren preferred it to punk, possibly because he was a Francophile and a cineaste, so it reminded him of the Nouvelle Vague. Seymour Stein was another one pushing for 'New Wave'.
Is this the first example of the sanitised, orthodox and asinine take on The Clash, that American-dominated opinion which holds The Clash to be a superior rock band which achieved their full potential when they ditched all that punk claptrap (see also: the championing of Elvis Costello as punk's saving grace)? I find that the American heralding of the virtues of musical slickness and professionalism flosses my helmet red-raw.
Take Care
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*The Caretaker*
*Everywhere at the End of Time*
*2019*
*History Always Favours The Winners*
*(part of Resident Advisor's 2000-2025 Best Albums) *
Mem...
Bäck to the Future (det här var imorgon)
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Released 1978, recorded at the start of the 1970s. Give it a listen, it's
immense
What blows my mind is that by the time this ca...
Inscape and the hard gem-like flame
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Long streamers were rising from over Kemble End one large flake
loop-shaped, not a streamer but belonging to the string, moving too slowly
to be seen, se...
opportunists knock
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Yes that is *Tears For Fears *in their early mod revival incarnation:
*Graduate*
Looking a bit like Mick Talbot's first band, the one with that song t...
When Freaks Were Chic - Danceteria remembered
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Fun and fascinating - with fabulous fotos - *Danceteria *oral history by*
Joy Press*, aka the missus, who was a regular at the legendary New York
club i...
Goth goes Glam
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What tarts!
*Gene Loves Jezebel *must have seen *Love and Rockets *enjoying Stateside
sucksess with the T. Rexy "So Alive" and they thought "*we'll ave ...
faves of the 2010s
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(Tracks not full lengths)
Ke$ha – “We R Who We R”
Ke$ha - “Backstabber”
Ariel Pink's Haunted Graffiti, "Round and Round"
Rangers – “Golden Triangles”...
Visual Music - a lecture, by me
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*Visual Music - a talk at the Tate Modern, July 27 2018*
*Presented by 4:3 as part of the Uniqlo Tate Late series*
There is a subset of experimental ani...
angel delights
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https://rada-ve.bandcamp.com/track/saturn-rings-songs
*Go on* - listen to that gorgeous bubble bath of synthtronica!
Another vintage release, with a vi...
I always love seeing these pieces. That sense of possibility: "There's this new band called The Clash. They could be big!"
ReplyDeleteThe Sounds writers did pretty well, on the old wave as well as the new. Sources suggesting Fleetwood Mac's new album could be a good one...
Interesting to see "new wave" being deployed already by January 1977: I had always thought of it as the marketing term used a year or two later to tidy up the Punk revolution.
And that is future novelist Tim Lott making the case for Cado Belle, isn't it? Not a terrible pick: although they never made it big, Maggie Reilly sounds great on those Mike Oldfield hits.
New Wave was a term used quite early I think. Malcolm McLaren preferred it to punk, possibly because he was a Francophile and a cineaste, so it reminded him of the Nouvelle Vague. Seymour Stein was another one pushing for 'New Wave'.
DeleteIs this the first example of the sanitised, orthodox and asinine take on The Clash, that American-dominated opinion which holds The Clash to be a superior rock band which achieved their full potential when they ditched all that punk claptrap (see also: the championing of Elvis Costello as punk's saving grace)? I find that the American heralding of the virtues of musical slickness and professionalism flosses my helmet red-raw.
ReplyDelete