I always love seeing these pieces. That sense of possibility: "There's this new band called The Clash. They could be big!"
The Sounds writers did pretty well, on the old wave as well as the new. Sources suggesting Fleetwood Mac's new album could be a good one...
Interesting to see "new wave" being deployed already by January 1977: I had always thought of it as the marketing term used a year or two later to tidy up the Punk revolution.
And that is future novelist Tim Lott making the case for Cado Belle, isn't it? Not a terrible pick: although they never made it big, Maggie Reilly sounds great on those Mike Oldfield hits.
New Wave was a term used quite early I think. Malcolm McLaren preferred it to punk, possibly because he was a Francophile and a cineaste, so it reminded him of the Nouvelle Vague. Seymour Stein was another one pushing for 'New Wave'.
Is this the first example of the sanitised, orthodox and asinine take on The Clash, that American-dominated opinion which holds The Clash to be a superior rock band which achieved their full potential when they ditched all that punk claptrap (see also: the championing of Elvis Costello as punk's saving grace)? I find that the American heralding of the virtues of musical slickness and professionalism flosses my helmet red-raw.
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About the end of the fifth year, Grangousier returning from the conquest of
the Canarians, went by the way to see his son Gargantua. There was he
filled ...
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The pinnacle of that view of freedom, of course, is avant-garde jazz,
which I find by and large a dead loss. It operates on the assumption that
if you r...
RIP J. Saul Kane
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Well, it had to be this one I posted, didn't it?
That macabre sing-song sample - "*did you ever think / when the hearse goes
by / that some day you a...
New Wavest (#3 of ??)
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*Clock DVA *- a name one associates with industrial music.
Well, they were actually on *Industrial Records*, weren't they? Put out a
cassette via them...
RIP Shel Talmy
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One of the odd things about the social media era is becoming "friends" with
musical legends and cult figures that you've never met. Musicians you've
inte...
Futuromania in Rough Trade's Books of the Year!
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"A collection of compelling essays analysing the technological evolutions
which have defined pop and electronic music and how this history
intersects. Fr...
Dream on
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Last week, I found it very hard to get down to the work I was supposed to
be doing. Writing about music felt trivial, absurd. That feeling has
passed - fo...
anti-theatricality + politics (the finale?)
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*A wise person once said: “When a clown moves into a palace, he doesn’t
become a king. The palace becomes a circus.” Donald Trump is a clown. Let’s
preve...
RIP Lillian F. Schwartz (1927 - 2024)
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*"Resident artist and consultant at Bell Laboratories (New Jersey)....
during the 70s and 80s Schwartz developed a catalogue of visionar...
haunty ha-ha, haunty peculiar
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Sometime ago, *Vic Reeves* posted this on Twitter - if I remember right,
it's artwork for a tour poster that was nev...
50 Favorite Songs
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(for an Italian publication, 2009)
The Eyes -- "When the Night Falls"
The Beatles -- "Strawberry Fields Forever"
John's Children -- "A Midsummer ...
angel delights
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https://rada-ve.bandcamp.com/track/saturn-rings-songs
*Go on* - listen to that gorgeous bubble bath of synthtronica!
Another vintage release, with a vi...
I always love seeing these pieces. That sense of possibility: "There's this new band called The Clash. They could be big!"
ReplyDeleteThe Sounds writers did pretty well, on the old wave as well as the new. Sources suggesting Fleetwood Mac's new album could be a good one...
Interesting to see "new wave" being deployed already by January 1977: I had always thought of it as the marketing term used a year or two later to tidy up the Punk revolution.
And that is future novelist Tim Lott making the case for Cado Belle, isn't it? Not a terrible pick: although they never made it big, Maggie Reilly sounds great on those Mike Oldfield hits.
New Wave was a term used quite early I think. Malcolm McLaren preferred it to punk, possibly because he was a Francophile and a cineaste, so it reminded him of the Nouvelle Vague. Seymour Stein was another one pushing for 'New Wave'.
DeleteIs this the first example of the sanitised, orthodox and asinine take on The Clash, that American-dominated opinion which holds The Clash to be a superior rock band which achieved their full potential when they ditched all that punk claptrap (see also: the championing of Elvis Costello as punk's saving grace)? I find that the American heralding of the virtues of musical slickness and professionalism flosses my helmet red-raw.
ReplyDelete