I always love seeing these pieces. That sense of possibility: "There's this new band called The Clash. They could be big!"
The Sounds writers did pretty well, on the old wave as well as the new. Sources suggesting Fleetwood Mac's new album could be a good one...
Interesting to see "new wave" being deployed already by January 1977: I had always thought of it as the marketing term used a year or two later to tidy up the Punk revolution.
And that is future novelist Tim Lott making the case for Cado Belle, isn't it? Not a terrible pick: although they never made it big, Maggie Reilly sounds great on those Mike Oldfield hits.
New Wave was a term used quite early I think. Malcolm McLaren preferred it to punk, possibly because he was a Francophile and a cineaste, so it reminded him of the Nouvelle Vague. Seymour Stein was another one pushing for 'New Wave'.
Is this the first example of the sanitised, orthodox and asinine take on The Clash, that American-dominated opinion which holds The Clash to be a superior rock band which achieved their full potential when they ditched all that punk claptrap (see also: the championing of Elvis Costello as punk's saving grace)? I find that the American heralding of the virtues of musical slickness and professionalism flosses my helmet red-raw.
RIP David Lynch
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Never got to speak to Mr. Lynch for these features on Julee Cruise but
chatted with the lovely Ms. Cruise and the very pleasant Mr. Badalamenti.
They're ...
The Final Countdown
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Bandying the word "apocalypse" feels a little off after the local events of
last week, but here is Kieran-Press Reynolds on The TikTokalypse - a
Pitchfork ...
RIP David Lynch
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"Six Men Getting Sick" was Lynch's first exploration into film, made during
his second year of study at the Pennsylvania Academy of Fine Arts, in
Phi...
"the Song of the Atom"
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*Sean Albiez* on the etymology and earliest uses of the term "electronic
music"
The Substack post is a preview or advance-excerpt from a book length
wo...
Mercury versus Mercury
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Both from albums of electronicized versions of Holst's The Planets released
the same year - 1976.
Wonder which came out first and who was the more pi...
the spark inside (kiddykore kontinuum)
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Chuck Eddy's fave single of 2024 - "The Spark" by *Kabin Crew &
Lisdoonvarna Crew, *from Knocknaheeny, Cork.
The entire post-98 quarter-century-long ...
50 Favorite Songs
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(for an Italian publication, 2009)
The Eyes -- "When the Night Falls"
The Beatles -- "Strawberry Fields Forever"
John's Children -- "A Midsummer ...
angel delights
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https://rada-ve.bandcamp.com/track/saturn-rings-songs
*Go on* - listen to that gorgeous bubble bath of synthtronica!
Another vintage release, with a vi...
I always love seeing these pieces. That sense of possibility: "There's this new band called The Clash. They could be big!"
ReplyDeleteThe Sounds writers did pretty well, on the old wave as well as the new. Sources suggesting Fleetwood Mac's new album could be a good one...
Interesting to see "new wave" being deployed already by January 1977: I had always thought of it as the marketing term used a year or two later to tidy up the Punk revolution.
And that is future novelist Tim Lott making the case for Cado Belle, isn't it? Not a terrible pick: although they never made it big, Maggie Reilly sounds great on those Mike Oldfield hits.
New Wave was a term used quite early I think. Malcolm McLaren preferred it to punk, possibly because he was a Francophile and a cineaste, so it reminded him of the Nouvelle Vague. Seymour Stein was another one pushing for 'New Wave'.
DeleteIs this the first example of the sanitised, orthodox and asinine take on The Clash, that American-dominated opinion which holds The Clash to be a superior rock band which achieved their full potential when they ditched all that punk claptrap (see also: the championing of Elvis Costello as punk's saving grace)? I find that the American heralding of the virtues of musical slickness and professionalism flosses my helmet red-raw.
ReplyDelete