We are in Kansas still
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One of the retrospective embarrassments I have with *Rip It Up and Start
Again *is *The Embarrassment *- the non-appearance of the Kansas
(post?)punk gr...
The Old Musical Express
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*New Musical Express *on the 1983 reissue of *Charlie Gillett*'s 1971 book *The
Sound of the City. *
Reviewer *Paul Du Noyer* notes that "*in...
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“Art arrived at that point of extreme maturity that determines
civilizations which have grown old; ingenious, complicated, clever, full of
delicate hint...
Applause without ears
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Came across this review of *Shock and Awe* online and was reading it,
nodding along and thinking '*this is rather perceptive'* and then realised
it was ...
10 Jungle Classics - Mojo - April 1995
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Note how the copyeditor assumed that the 2 in "2 Bad Mice" was me having
started and abandoned a numbering system but having forgot...
A Telex from yesterday's future
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An example of what I call "the rhetorics of temporality" - the way critics
compulsively position and reposition things they like, or are...
faves of the 2010s
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(Tracks not full lengths)
Ke$ha – “We R Who We R”
Ke$ha - “Backstabber”
Ariel Pink's Haunted Graffiti, "Round and Round"
Rangers – “Golden Triangles”...
angel delights
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https://rada-ve.bandcamp.com/track/saturn-rings-songs
*Go on* - listen to that gorgeous bubble bath of synthtronica!
Another vintage release, with a vi...
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