I always love seeing these pieces. That sense of possibility: "There's this new band called The Clash. They could be big!"
The Sounds writers did pretty well, on the old wave as well as the new. Sources suggesting Fleetwood Mac's new album could be a good one...
Interesting to see "new wave" being deployed already by January 1977: I had always thought of it as the marketing term used a year or two later to tidy up the Punk revolution.
And that is future novelist Tim Lott making the case for Cado Belle, isn't it? Not a terrible pick: although they never made it big, Maggie Reilly sounds great on those Mike Oldfield hits.
New Wave was a term used quite early I think. Malcolm McLaren preferred it to punk, possibly because he was a Francophile and a cineaste, so it reminded him of the Nouvelle Vague. Seymour Stein was another one pushing for 'New Wave'.
Is this the first example of the sanitised, orthodox and asinine take on The Clash, that American-dominated opinion which holds The Clash to be a superior rock band which achieved their full potential when they ditched all that punk claptrap (see also: the championing of Elvis Costello as punk's saving grace)? I find that the American heralding of the virtues of musical slickness and professionalism flosses my helmet red-raw.
A History of Hardcore (the Other Hardcore)
-
This looks like a good read - a history of gabber and all its 21st Century
extensions and mutations by Resident Advisor's *Holly Dicker*.
https://vel...
Oneohtrix Point Never
-
*Oneohtrix Point Never*
*Village Voice, July 6, 2010*
*by Simon Reynolds*
Daniel Lopatin, the young man behind the spacey and spacious mindscapes of
O...
questionnaire pour Libération (2020)
-
*What is the first record you bought in your youth with your own money ?*
Ian Dury and the Blockheads, *Do It Yourself*, 1979
*Your favorite way for li...
Anti-Retro (Foucault else to do)
-
Historians of retro concur that the first time "retro" was used in its
current way was in France in the early '70s, with the phrase *mode rétro* -
the re...
ran through the jungle (of modern music)
-
Fun piece by Kieran Press-Reynolds looking at oblique strategies for
digging up weird music, with a hierarchy of engagements mode from basic to
ultra-obsc...
angel delights
-
https://rada-ve.bandcamp.com/track/saturn-rings-songs
*Go on* - listen to that gorgeous bubble bath of synthtronica!
Another vintage release, with a vi...
I always love seeing these pieces. That sense of possibility: "There's this new band called The Clash. They could be big!"
ReplyDeleteThe Sounds writers did pretty well, on the old wave as well as the new. Sources suggesting Fleetwood Mac's new album could be a good one...
Interesting to see "new wave" being deployed already by January 1977: I had always thought of it as the marketing term used a year or two later to tidy up the Punk revolution.
And that is future novelist Tim Lott making the case for Cado Belle, isn't it? Not a terrible pick: although they never made it big, Maggie Reilly sounds great on those Mike Oldfield hits.
New Wave was a term used quite early I think. Malcolm McLaren preferred it to punk, possibly because he was a Francophile and a cineaste, so it reminded him of the Nouvelle Vague. Seymour Stein was another one pushing for 'New Wave'.
DeleteIs this the first example of the sanitised, orthodox and asinine take on The Clash, that American-dominated opinion which holds The Clash to be a superior rock band which achieved their full potential when they ditched all that punk claptrap (see also: the championing of Elvis Costello as punk's saving grace)? I find that the American heralding of the virtues of musical slickness and professionalism flosses my helmet red-raw.
ReplyDelete